REVIEW: EndAnd – “Adventures of Fi in Space”

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RATING: 5.7/10

EndAnd are a Brooklyn 3-piece playing music that lands on the brawnier side of pop. The press info tells me they do ‘Noise Rock/Punk/Power Pop’ that’s ‘disarmingly human’…welp, I’ll give ’em ‘power pop’. I wouldn’t say it sounds like the PIXIES – it’s not willfully dissonant in the way Black Frank & Co. could be, and definitely not as weird. Nor would I say it sounds like GUIDED BY VOICES – though the basement-rock-aspiring-to-arena-glory tone may be there, it’s too put-together, too polished. They definitely don’t sound, as the one-sheet would like me to believe – like the Melvins or Nirvana – who the hell writes these things?

Anyway, the release is split into two halves: “Adventures of HiFi in Space,” which are studio recordings, and “Adventures of LoFi in Space,” a collection of DIY recordings. HiFi comes first, and is comprised of 5 songs. At times, like on “Commando,” the guitar work is interesting, and it’s undeniable that the musicianship on this album is better than the average rock release at this point. Despite its billing as ‘uncompromising’, the album seems very middling. It refuses to move too far in any direction at all, which basically makes it ‘the average rock release.’ It’s tuneful, but not to the point of instantly memorable hooks. It’s muscular, but not to the point of exciting you, or tiring you. It’s noisy, but carefully hemmed in to retain the pop edge – certainly not enough to go up against even a band like Wavves. It’s a very careful balancing act, but by covering all bases at once, it fails to make an impression on any one of those bases.

Fortunately, LoFi fares a little better. Things are more interesting than HiFi almost immediately. The first seconds of “Dawl” introduce a smear of guitar before introducing a track which could legitimately be read as GBV. “Legend” is an acoustic number which follows an ‘unplugged’ type formula, but makes interesting use of tape loops, or hiss, or something, i dunno – point is, the weird bed of sound they lay down is cool. “Sweet” is a short pop track with some nice guitar lines, and “When and There” is a strummer which is fine enough, I guess, but it definitely goes on too long. On the whole, the LoFi half is significantly more redeemable than the HiFi half, but I wish this band would take more risks – the entire endeavor feels a little too safe for me. Given that they were billed as “Noise Rock” and compared to, of all people, Jay Reatard, I was hoping for a little more firepower. Pitchfork will probably like it.

LISTEN/NAME YOUR PRICE: EndAnd Bandcamp 

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