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NUBIANS (see review: just put up their incredible fucking demo for DOWNLOAD, rather than just streaming. woo



RATING: 7.5/10

Thee Dirtybeats promise “maximum vintage garage and psychedelia,” and after listening to their first batch of songs, I can say with confidence they deliver in full. I give these guys serious props – they’ve recorded this strictly with vintage equipment – “vintage KAPA, Mosrite, Rickenbacker and Fender guitars, Fender and Ampeg amps, Big Muff fuzzes and Morley wahs” – and they’re giving it away for free on their bandcamp. This is music from Thee Holy Church of NUGGETS, and these guys mostly nail it. The vocals, playing, and sound are pretty faithful to the source material – I do wish the production was a little bit dirtier; for the vintage sound and trappings, this recording is oddly clean and polished.

Anyway, onto the music.  “You Lied to Me Before” is a good mid-tempo number, featuring solid guitar work and an awesome quasi-whispered bridge. It’s fairly revival-by-the-numbers, but it’s done really well. The first few songs follow much the same formula.  Their brand of 60’s revivalism is largely reminiscent of what THE GREENHORNES were doing 10 years ago.  It’s not original music by any means, but that doesn’t stop the songs from being any less danceable!  It’s all good, but it’s not until “Stop It Baby” that the album really starts swingin’ – the track opens with awesomely snarly guitar and a fast, nimble beat with more teeth than a lot of the emanations from the Nuggets altar. This is simple and brash in the best way – combining the economy of hardcore with garage cool. This leads into “Wild Man,” which features a Twilight Zone-like intro, and a pretty badass TRASHMEN-esque chant. The record is heavy on covers which are faithfully rendered, but often lack the menace and wild sloppy abandon of the originals. The record closes out with “Cool One,” which is just fucking incredible. Freako guitars, burning drums – serious goddamn boogie here. Some songs fly, some don’t – but how can I possibly fault any band for not matching the SONICS or the 13TH FLOOR ELEVATORS?  Thee Dirtybeats aren’t re-inventing the wheel, but they do an adept job of proving that a great fucking wheel never goes out of style. 


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